(Child herself was a big fan, we are told.) Indeed, the most interesting passages of “Julia” cover the gradual creation of her much-parodied television presence, beginning spontaneously (and in her late forties) with the low-budgeted limitations of public educational broadcasting, before being honed into a more polished, knowingly comedic act by the time she graduated to the likes of “Good Morning America.”īefore we get to that, however, the film offers a rundown of her pre-celebrity life, as interviews with friends and next-generation family members add a little intimacy to otherwise standard-issue biographical tone. Dan Aykroyd’s fruity Child impression for “Saturday Night Live,” on the other hand, rates multiple mentions. Oddly, and somewhat pointedly, Ephron’s film, and the bestselling book on which it was based, are entirely ignored in the doc’s discussion of Child’s cultural impact.
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Cohen and West hold their subject in palpable esteem and affection, but their perspective is scarcely more probing than Nora Ephron’s fictionalized 2009 comedy “Julie & Julia,” in which Meryl Streep’s full-bore performance gave many younger audiences their first sense of Child’s eccentric screen presence. 5.īut it’s a little disappointing that anyone with even a working knowledge of Child is unlikely to emerge from “Julia” having learned anything new - or at least, nothing more surprising than a couple of tasteful nude photos from the Child archives. That approach, peppered with talking-head contributions from culinary personalities like Ina Garten and André Cointreau, will go down particularly well with mature, nostalgic audiences when Sony Pictures Classics releases the film on Nov.
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Given her dual priorities of traditionalism and accessibility, then, she might well have appreciated “Julia,” a bright, cheerful, audience-friendly overview of Child’s life and legacy that steers fastidiously clear of any unexpected insight or information on a well-documented subject.ĭocmaking duo Julie Cohen and Betsy West previously scored an Oscar nomination for “RBG,” a similarly upbeat, uncomplicated portrait of another iconic American woman, and - save for the addition of much butter-varnished gastroporn photography - they haven’t significantly changed the recipe here. There’s nothing especially wrong with that: Child was a broadly entertaining public personality, and the film is broadly entertaining in turn, zipping through her eventful, rather inspiring life story - from sheltered youth to late-blooming sensualism to unlikely middle-aged celebrity - at a lively pace, full of attractive asides about evolving food culture from the past to the present.
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As a chef, Julia Child made no claims for herself as an innovator: Her mission was not to create new recipes, but to interpret and archive age-old French ones in ways the average American home cook could tackle without fear.